How the ‘Dune: Part Two’ Sound Team Created the Sonics of Sand Worms and a “Planet of Bloodthirsty Lunatics”
Supervising sound editor Richard King, nominated for an Oscar for the film, explains why he didn’t — and couldn’t — inherit a sound library for the sequel.
‘Nosferatu’ Cinematographer Jarin Blaschke on Shooting the “Romantic” Film to Look Like It Was Basked in Moonlight
Blaschke’s work on the horror film, which has been recognized with an Oscar nomination and by the National Board Review, came ...
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Here Are The 2025 Critics Choice Award Winners
Hosted by Chelsea Handler, the 2025 Critics Choice Awards honored the achievements of filmmaking and television programming ...
‘The Brutalist’ Director Brady Corbet Celebrates This Year’s Oscar Nominees as “Very Radical, Daring, Original Movies”
This year's five Oscar-nominated filmmakers united for a conversation at the Santa Barbara Film Festival on Monday.
A $10M Budget Didn’t Stop ‘The Brutalist’ Production Designer Judy Becker From Leaning Into the Film’s Titular Architectural Style
When it comes to admiring the brutalist style, Becker has a lot more company now, partly thanks to evolving tastes but in ...