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With Presence, Steven Soderbergh Resurrects Ghost Story
Movie Review: Steven Soderbergh's eerie haunted house drama 'Presence' packs a punch
The camera is the ghost in Steven Soderbergh's chillingly effective, experiential haunted house drama "Presence."
Review: Steven Soderbergh's technically impressive ghost story 'Presence' is let down by its story
“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” which Soderbergh demonstrates as a legitimate mode of cinematic storytelling. His camera movements take on such a human quality that we become emotionally connected to it as another character in the story.
Lucy Liu and Callina Liang on Ghosts, Skin Care, and Working With Steven Soderbergh on Presence
There’s only so much that a person can hold before everything collapses.” With Presence now in theaters, Vogue spoke to Liu and Liang about preparing for their unconventional film—and their own relationships to the paranormal.
6h
on MSN
Steven Soderbergh: 'I'm the cockroach of this industry. I can survive any version of it'
NEW YORK — Steven Soderbergh isn’t just the director and cinematographer of his latest film. He’s also, in a way, its central ...
4h
Immersive movie 'Presence' sees dysfunctional family from a ghost's POV
The story of the parents and children, as depicted by director Steven Soderbergh, is so interesting, it would work well even ...
11h
on MSN
Why Steven Soderbergh's Appreciation for Steven Spielberg Has Only Grown Stronger
Soderbergh talks to IndieWire about "Jaws," his 15-year project to write a book about directing, and working to get his ...
1d
on MSN
Steven Soderbergh Defends AI in Film: ‘I’m Not Threatened'
Over the course of his nearly four-decade career, Steven Soderbergh has just about done it all—including, now, made a horror ...
Filmmaker
6h
“The Boys in the Basement Were Very Active On This One”: Screenwriter David Koepp on Writing Steven Soderbergh’s Ghost POV Thriller Presence
Over Zoom I spoke to Koepp about writing within the confines of the film’s single point-of-view, the value of what’s left out ...
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