The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” ...

"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors." ...

The filmmaker turns a supernatural thriller into a first-person storytelling experiment and a family drama that'd make Eugene ...

“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” ...

“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” ...

There’s only so much that a person can hold before everything collapses.” With Presence now in theaters, Vogue spoke to Liu ...

Over Zoom I spoke to Koepp about writing within the confines of the film’s single point-of-view, the value of what’s left out ...

What makes “Presence” interesting is its point-of-view “gimmick.” It’s just the story that’s being told that’s somewhat hacky.

Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.

Steven Soderbergh’s directorial credits include Erin Brockovich, Traffic, Ocean’s Eleven, and Magic Mike. His latest, ...

Since his flirtation with retirement about a decade ago, filmmaker Steven Soderbergh has been working at an almost feverish pace, cranking out film after film, usually genre exercises made swiftly, ...

Over the course of his nearly four-decade career, Steven Soderbergh has just about done it all—including, now, made a horror ...