The Oscar-nommed film’s make-up artist, Pierre-Olivier Persin, has come a long way from crafting “cheesy” monsters in his bedroom as a teenager.
Artist Nia-Symonne Gayle’s immersive installation “GOOD Hair” at Augsburg University’s Christensen Gallery recreates her ...
Penelope Spheeris returns to the punk scene she first documented in 1981 and finds new bands equally as inflammatory as their predecessors. The powerful final chapter in Spheeris’s Decline of Western ...
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