Over the course of his nearly four-decade career, Steven Soderbergh has just about done it all—including, now, made a horror film. Presence is a ghost story like no other, assuming the first-person perspective of a specter that haunts a suburban clan that’s moved into its residence.

Steven Soderbergh’s directorial credits include Erin Brockovich, Traffic, Ocean’s Eleven, and Magic Mike. His latest, Presence, is a supernatural thriller shot entirely in the first-person perspective using a Sony Alpha 9 III mirrorless camera.

Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.

Steven Soderbergh releases 2024 watch list, which includes viewings of multiple 'Star Wars' films, new releases, old classics, and more.

Although it premiered at Sundance almost a year ago, Steven Soderbergh’s Presence is finally making its way to theaters, and audiences may well find

David Lynch, the peerless director behind such masterpieces as Eraserhead, Blue Velvet, Wild at Heart, Twin Peaks, and Mulholland Drive, was one of cinema’s all-time greats, a unique visionary whose dark and surreal films were the stuff of both unsettling dreams and sumptuous nightmares.

While Soderbergh is known best for his films in the 1990s and 2000s like “Sex, Lies, and Videotape,” the “Ocean’s Eleven” trilogy and “Out of Sight,” his recent output has been fascinating and boundary-pushing in terms of style and storytelling,

Steven Soderbergh's upcoming horror flick Presence has a new trailer now as its US-wide release nears. It gives the users a fresh take on what they can expect from the film where the camera is the ghost. In contrast to the past looks, it was more tense as it showcased what this entity can do.

As many in the entertainment industry navigate the devastating effects of the California wildfires, some will soon be decamping to cleaner air in the mountains. The annual Sundance Film Festival

Callina Liang, Eddy Maday, and West Mulholland are the young stars of 'Presence,' and discuss making the haunting film and the strange direction from Steven Soderbergh.

Soderbergh’s camera takes on the view of an unknown spectral presence that occupies an empty home. This lonely presence gazes out the window as occupants arrive.