The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” ...

Over Zoom I spoke to Koepp about writing within the confines of the film’s single point-of-view, the value of what’s left out ...

The filmmaker turns a supernatural thriller into a first-person storytelling experiment and a family drama that'd make Eugene ...

"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors." ...

Soderbergh talks about writing a book about how to direct movies via Spielberg's 'Jaws' and remastering his entire film ...

What makes “Presence” interesting is its point-of-view “gimmick.” It’s just the story that’s being told that’s somewhat hacky.

The story of the parents and children, as depicted by director Steven Soderbergh, is so interesting, it would work well even ...

SODERBERGH: No, but what I did is subtle. For the first and only time Peter Andrews has a camera operator credit. That’s not ...

“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” ...

Presence see's director Steven Soderbergh and screenwriter David Koepp deliver a ghost story unlike quite any other.