Those not particularly knowledgeable in high-end fashion and luxury goods like counterfeits more than more fashion-savvy consumers, and they are more likely to post on social media about the original ...
Between the first presidential campaign of Donald Trump and the arrival of the #MeToo movement in 2017, progressive activists ...
Eco-friendly trekking in the Himalayas advances maintainable travel by minimizing natural effects and supporting neighborhood communities.
President Trump’s aggressive moves against transgender rights and diversity, equity and inclusion programs have left the ...
Podcaster Ranveer Allahbadia, aka BeerBiceps, is in major trouble over his ‘obscene’ remarks on Samay Raina’s show ‘India’s ...
"It’s 2019. You brought home a strange yet familiar 1995 CD-ROM game from the thrift store. You vaguely remember seeing ads for this game, and some kind of controversy, but you never got the chance to ...
As the Executive Consultant (Editorial and Advertising), the de facto chief ... unrestrained by any form of moral appeal when they choose to fight dirty. As for the contest for superiority between ...
Populism’s history is an animated tale of self-claimed ‘incorruptibles’ quickly falling prey to financial and moral corruption ... theatrics and emotional appeal to captivate the masses.
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The Nation on MSNWho Will Stop Elon Musk’s Coup?The world’s richest man now has the power to override congressional spending decisions and access to private information ...
15don MSN
It makes sense that a designer whose clothes have adorned pop divas—from Diana Ross and Whitney Houston to Sabrina Carpenter—for nearly six decades is cool herself. Like, really cool. Norma Kamali has ...
Because it comes from regular people and not institutions that some people deem to be “corrupt,” champions of common sense suggest it leads to a purer form of truth. Yet it is precisely because it ...
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Fake It Until You Make It,' a satiric farce by Larissa FastHorse ('The Thanksgiving Play'), has its world premiere at the Mark Taper Forum, in a production directed by Michael John Garcés.
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