Fernanda Torres gives a complex, Oscar-nominated performance as Brazilian activist Eunice Paiva, whose search for her "disappeared" congressman-husband made headlines.

Directed by The Motorcycle Diaries and Central Station 's Walter Salles, Brazil's entry in the Best International Feature Film race — as well as a welcome but unexpected nominee for Best Picture — I'm Still Here is a movie about horror,

In the real-life story of “I’m Still Here,” Eunice Paiva must find a new way to live after her family is separated during the Brazilian dictatorship in the 1970s. For Walter Salles, directing joy onscreen flows so naturally it’s almost documentary-like.

Fernanda Torres grew up in Brazil during authoritarian times and channeled that memory for her role in ‘I’m Still Here ... actors create a vibrant, lived-in dynamic radiating with affection ...

Brazil’s dark history as a military dictatorship with horrible human rights violations is exposed in the award-winning “I’m Still Here ... and this month Fernanda Torres won the Best ...

Oscar nominee Fernanda Torres has apologized after a decades-old video of her performing in blackface resurfaced ahead of the Academy Awards. The I’m Still Here star addressed the video in a sta ...

I’m Still Here is also up for best picture and is nominated in the best international feature category. But whatever happens at the 97th Academy Awards, Fernanda Torres has already made history.

That Walter Salles, the acclaimed director of “Central Station” and "The Motorcycle Diaries,” first depicts the tight-knit family of “I’m Still Here” at their most ebullient ...

The global success of Brazilian movie "I'm Still Here" -- riding high after three Oscars nominations -- has set off a national fervor usually reserved for Carnaval or the football

Fernanda Torres’s award-winning performance anchors this dramatic portrait of an indomitable woman and her family.

Fresh off Oscar nominations for best picture, best actress and international feature, “I’m Still Here” is the kind of drama we need now.

In trying times, political films are nothing new. One of cinema’s most essential functions is to inform its audience — to share the intricacies of another culture, another time period and another perspective.