The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ...

The inventive director embraced POV filmmaking on “Presence,” his haunted-house film shot from the spirit’s perspective.

Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...

Sundance, Steven Soderbergh and David Koepp return with Presence, a formally fascinating take on the ghost story.

As arts reporter I am interested in and cover a wide range of areas - film, visual art, theatre and music, among others - to ...

For director Steven Soderbergh, “Presence” represents an efficiently produced, fresh formal dare of sorts: shooting a horror ...

Steven Soderbergh never settles down. The director, who helped fuel the independent film revolution in the 1990s before ...

The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” The ...

You could say that the ghost is played by the director, Steven Soderbergh, who serves as his own cinematographer, as usual, working under the pseudonym of Peter Andrews. That's Soderbergh holding ...

In 1989, both Steven Soderbergh and “Presence” screenwriter ... Instead, he told Koepp that he wanted to do a ghost story from the ghost’s perspective. “It immediately was all the things ...

Steven Soderbergh: Yeah, we had a house sitter ... And one of the reasons that we tried as much as possible to shoot in sequence was I wanted to show how [the ghost] learns how to look at things as ...

For director Steven Soderbergh, “Presence” represents an efficiently produced, fresh formal dare of sorts: shooting a horror film entirely from the perspective of an unidentified ghost.